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Oil Painting: The Workshop Experience, by Ted Goerschner
Get Free Ebook Oil Painting: The Workshop Experience, by Ted Goerschner
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Product details
Paperback: 146 pages
Publisher: Echo Point Books & Media; Reprint ed. edition (December 5, 2014)
Language: English
ISBN-10: 1626548552
ISBN-13: 978-1626548558
Product Dimensions:
8.5 x 0.4 x 11 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#132,863 in Books (See Top 100 in Books)
Predictions are fun, especially as I won't live long enough to see whether what I'm about to say will come true.This book will join John Carlson's Guide to Landscape Painting, Edgar Payne's The Composition of Outdoor Painting, and Richard Schmid's Alla Prima as a must-have in every oil painter's library.There are several reasons:1. Although you might miss them because they speed on by, every major precept for success is iterated and re-iterated: avoid boring shapes, work to make similar shapes dissimilar, bring color, sharpness and contrast to the center of interest (and dial them down elsewhere), drawing and composition are important but not as important as the abstract shapes -- Charles Hawthorne and Henry Hensche would call these 'spots of color' and Monet called it 'capturing light' -- and most importantly, design your painting.(If you want more about why designing is important, search the incredibly rich blog by Stapleton Kearns for "design." Everything Stape says informs the many statements on design by Goerschner; in a nutshell, good paintings are designed. Goerschner often repeats the need to simplify and alter the scene in front you to further the design. Stapleton puts it more succinctly: "Landscape painting is a lie, well told.")2. The paint-on critiques contain hours of instruction. Hours. They repay long study.3. The book contains a largely-failed plein air example, recording two false starts and one mostly-finished work -- it's signed, but it's not one of the best in the book. Each iteration demonstrates more and more effective simplification and design of abstract shapes. No other art instruction book I've seen discusses failure by the teacher, and Goerschner's analysis suggests helpful ways out of bad-day abysses.4. As others have noted, the presentation -- pictures, prose, sidebars -- is uniformly clear, concise and right on target.Not your style?As an aside: it always surprises me to read one star and two star reviews of art books based on revulsion to the teacher's style.This is not a book on how to paint like Ted Goerschner. It's about how to paint.
Very, very disappointed. The quality of the printed pages is very poor, the colors dull, the paper is flat and cheap. I compared it to my friend's older version by a different publisher and the difference was huge! The original book has glossy pages and true colors. An art instruction book that describes technique and color should at the very least be able to show what the author is demonstrating. I am returning the book.
Very informative with step by step process for developing a painting from beginning to end. Good for amateurs as well as skilled artists. Loads of good information on basics of a good painting from uses of color, composition, brushwork and technique. I will refer often to this book. Suitable for artists of all ages.
I was introduced to this book by my painting teacher.It's full of good explainations and great pictures.His writing is very easy to understand and enjoyable.I refer back to it often and I'm very happy to own two copies (one is clean ,the other is paint stained).It really does have a workshop feel to it; good title.
Great book. Really explains painting temperature in lights & shadows. Great book
I love this book! I've painted through the entire book and feel that I gained a wealth ofinformation! My paintings are definitely better!
Very nice publication by a wonderful talented artist. I have learned from it and delight to look at his paintings. I love his recipes for grays.
Doing a workshop is doing something I love. It shows how we can change a boring scene to a better one. It's a real learning experience and recommended for all artists.
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